Creative Industries

Claudy op den Kamp: “Categorisation Limits”

Posted . Filed under Creative Industries, Cultural Heritage, Publications.

Op den Kamp C., ‘Categorisation Limits’ in Nezih Erdoğan and Ebru Kayaalp (eds), Exploring Past Images in a Digital Age. Reinventing the Archive (Amsterdam University Press, 2023), pp. 131-148 This chapter is a transcript of an interview with the late Austrian filmmaker Gustav Deutsch, conducted in 2010, about the reuse of other people’s footage, a… Read more » about Claudy op den Kamp: “Categorisation Limits”

John Marsonet’s ‘Persistence of Vision’: Reimagining Early Cinema

Posted . Filed under Creative Industries, Emergent Technologies, Focus areas.

In the 2023 Raindance Film School Student Showcase, filmmaker John Marsonet unveiled ‘Persistence of Vision,’ a compelling (speculative) documentary that breathes new life into the origins of motion picture technology. Through meticulous research and innovative storytelling, Marsonet explores the work of William Kennedy Laurie Dickson, a pioneering figure in early cinema. CIPPM researcher and Principal… Read more » about John Marsonet’s ‘Persistence of Vision’: Reimagining Early Cinema

CIPPM Researcher Uncovers the Hidden Narrative of Motion Picture Invention

Posted . Filed under Creative Industries, Emergent Technologies, Focus areas.

The invention of motion pictures wasn’t a single eureka moment, but rather a complex interplay of science, technology, art, and law. During Dr Claudy Op den Kamp’s Lemelson Center fellowship, she explored this rich history through an unexpected lens: copyright registration practices. At the centre of this story is the World’s Columbian Exposition of 1893,… Read more » about CIPPM Researcher Uncovers the Hidden Narrative of Motion Picture Invention

Melanie Stockton-Brown: “Inking Cultures: Authorship, AI Generated Art and Copyright Law in Tattooing”

Posted . Filed under Creative Industries, Cultural Heritage, Emergent Technologies, Publications.

Stockton-Brown M., Inking Cultures: Authorship, AI Generated Art and Copyright Law in Tattooing (2023) 36(5) International Journal for the Semiotics of Law, 2037- 2065 This article considers current advances in tattooing that are challenging communityheld views of authorship and ownership, and the need to address this tension. The key challenge is from AI-generated artworks being… Read more » about Melanie Stockton-Brown: “Inking Cultures: Authorship, AI Generated Art and Copyright Law in Tattooing”