Creative Industries

Making sense of Digital Rights Management in Videogames

CIPPM researcher Marcella Favale has been awarded a Fusion Investment Fund for a collaborative project on Making sense of DRM in game development (Madrigal) Restrictive technology can prevent you from copying certain CDs or DVDs to a portable device to watch during your train journey or even go as far as to dictate which brand… Read more » about Making sense of Digital Rights Management in Videogames

CIPPM Members present research co-funded by the UKIPO and ESRC on Copyright and the Public Domain

The Centre for Intellectual Property Policy and Management’s Co-Director, Dr. Dinusha Mendis and CIPPM Member, Dr. Fabian Homberg presented their research on ‘Valuing the Public Domain’ – a collaboration with CREATe, University of Glasgow – on 5th December 2014, at Digital Catapult, London. ‘Valuing the Public Domain’ is a major research and knowledge exchange project… Read more » about CIPPM Members present research co-funded by the UKIPO and ESRC on Copyright and the Public Domain

CIPPM Researchers present at CREATe’s All-Hands Meeting

CIPPM Researchers Professor Maurizio Borghi, Dr. Marcella Favale, Dr. Fabian Homberg, Mr. Conor O’Kane, Mr. Bartolomeo Meletti, Dr. Dinusha Mendis and Professor Ruth Towse attended the All-Hands Meeting hosted by CREATe, University of Glasgow on 15-16 September 2014. Set in the beautiful Mackintosh Suite of House for an Art Lover (designed by Charles Rennie Mackintosh), the… Read more » about CIPPM Researchers present at CREATe’s All-Hands Meeting

Copyright and business models in music publishing: an historical analysis

The preliminary results of the AHRC-funded project Evolution in Music Publishing: Economic Strategies, Business Models and Copyright are presented by Professor Ruth Towse to the CREATe All Hands Conference, Glasgow 15 -16 September, 2014. Copyright and business models in music publishing: an historical analysis Music publishing is a fruitful industry in which to study copyright and… Read more » about Copyright and business models in music publishing: an historical analysis